Barry Sher

Barry Sher

Veronique a Paris - Francoise Adnet

Dreams of Waves

Acrylic sculpture, 12 x 27 (in)

Veronique a Paris - Francoise Adnet

Dante’s Party

Acrylic sculpture, 29 x 10 (in)

Veronique a Paris - Francoise Adnet

Dreams of Waves

Acrylic sculpture, 33 x 20 (in)

Veronique a Paris - Francoise Adnet

Sentinel

Acrylic sculpture, 25 x 10 (in)

Veronique a Paris - Francoise Adnet

Untitled vertical

Acrylic sculpture, 25.5 x 6 (in)

Veronique a Paris - Francoise Adnet

Untitled flame

Acrylic sculpture, 12 x 28 (in)

Barry Sher

American, 1946 – 2013
Practiced in Kansas City, MO

Barry was an innovator with the mediums of acrylics and resins for over thirty years. In a progression of styles and experimental techniques he has developed a unique craft through research, experimentation, and observation. In 1974 he began to produce a “stained glass style” work, creating a more affordable craft with the traditional look.
His present style is very expressive, often showing wonderment, love, and joyous explorations of inner emotions. The craft has developed to a more abstract style than his past work, and the colors are much more brilliant, and in some instances appear to be watercolors. The viewer is drawn into explore the piece, its forms, spaces, and how it transforms the spectrum of colors with the changing environment.

Steven Shortridge

Steven Shortridge

Waiting For You

Hand Embellished Giclee on Canvas, 30 x 40 (in)

Steven Shortridge

American
Born in Iowa, 1951, and raised in Southern California

Quick Facts:

He took his first painting class while attending Idaho State University on a Water Polo Scholarship.

Stephen Charles Shortridge, the artist may be more familiar to you as an actor. During the seventies and eighties, Shortridge built an enviable career appearing in such well-known television series as “Welcome Back Kotter” and “The Love Boat”. He co-starred with Debbie Reynolds on the ABC show “Aloha Paradise”. He spent the year of 1987 playing the role of David Reed as part of the original cast on the CBS daytime soap opera “The Bold and the Beautiful”. Stephen also worked regularly as a model and appeared in over fifty TV commercials.

“Romantic Impressionism is what I do. . . I think the term best expresses how and why I paint. I appreciate, or try to appreciate, all forms of art, but the one that first stirred me was Impressionism. To me it was bold, and full of life and color. It was uninhibited and had a magic quality to it. Rather than attempt to tell you something accurately, it just made you feel it! That’s why I set out to interpret life through this style of art; it invites the viewers’ emotions to take part.”

Judy Crissey

Judy Crissey

Veronique a Paris - Francoise Adnet

Windows

Mixed Media on Canvas, 30 x 30 (in)

Veronique a Paris - Francoise Adnet

Breakthrough

Mixed Media on Canvas, 36 x 24 (in) x2

Veronique a Paris - Francoise Adnet

Day

Mixed Media on Canvas, 30 x 40 (in)

Judy Crissey

American
Practices in Kansas City

Process driven work is an ongoing theme for Judy Crissey. Her art is a trip not with the ending in mind but with twists, turns and surprises as she communicates with the canvas along the way. Her 14 year long teaching work with children at Kansas City’s Nelson Gallery of Art continued this theme and helped change the thinking from product to process for numerous young artists. It’s no surprise that Judy’s work is not representational but abstraction. The active and expressive mixed media creations communicate a range of emotionally driven experiences in images that often careen from dark hued canvases that come from a stormy place to brightly colored happy creations. Her influences include the Kansas City Art Institute where she studied for many years, Tucson teacher Josh Goldberg and Phillomene Bennett of Kansas City. Crissey’s work in juried shows and exhibitions and the honors awarded there for daring to push the limits pay tribute to her process driven inspiration.

Melanie Nolker

Melanie Nolker

Veronique a Paris - Francoise Adnet

Blue Dogwood

Oil on Canvas, 36 x 36 (in)

Veronique a Paris - Francoise Adnet

Birch Dominoes

Oil on Canvas, 36 x 36 (in)

Veronique a Paris - Francoise Adnet

Como Retreat

Oil on Canvas, 36 x 36 (in)

Melanie Nolker

American
Practices in Leawood, KS

After thirteen years as a program coordinator for St. Michael’s Day School, with a specialty in Special Education, and having raised three children, I started creating art in my middle years. One Christmas, my husband bought me a book called ‘Watercolor for the Artistically Undiscovered’. It was printed on watercolor paper and had a palette of paints built in at the base of the book. It took several months and much coaxing to open it and begin painting, but since that first day, I have lived and looked at life differently. The colors are brighter, the contrasts deeper and my joy is greater. I began working with a palette knife and oils in 2004 with a great teacher named Milisa Valliere. Through the years, I have studied with many teachers in the Kansas City and Lawrence areas and have attended many workshops brought to our area by nationally renowned artists and teachers.

Cher Ulrich

Cher Ulrich

Veronique a Paris - Francoise Adnet

Jolan

Oil on Canvas, 24 x 24 (in)

Veronique a Paris - Francoise Adnet

Purple Haze

Oil on Canvas, 40 x 30 (in)

Veronique a Paris - Francoise Adnet

Paulie

Oil on Canvas, 24 x 24 (in)

Veronique a Paris - Francoise Adnet

Sunny Dee

Oil on Canvas, 24 x 36 (in)

Cher Ulrich

American
Practices in Louisburg, Kansas

Cher Ulrich grew up on the rolling hills near Santa Barbara California nurturing her love of nature. This continues to show in her work to this day. Her perennial interest in making greeting cards for friends & family led to an interest in painting from the feedback that her cards looked like small paintings. She has been pursuing oil painting since 2000, graduating from the University of Kansas in 2009 with a BFA. Cher is always looking for the emotional connection in her choice of subject matter. An important aspect of her work is to give a different perspective of the world surrounding the viewer whether it be with portraits, natural subjects or abstracts.